Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Along His journey to Jerusalem, Jesus stops frequently to have meals, three times with Pharisees (7:37-50; 11:37-54; 14:1-35). Meals were central to Jesus’ ministry. He comes “eating and drinking” (Luke 7:34). While His meals are not just for refreshment, they are opportunities for teaching the protocols of the kingdom. Meals…
Time as a realm of participation can be difficult for us imaginatively to grasp. While music is a profoundly temporal art, exploring the medium of time like no other, most of our temporal experience seems decidedly unmusical in character, disjointed and unorchestrated. The form in which we naturally discover time…
John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…
Thinking about time in terms of music also helps us to appreciate its unity and inner relations. Henri Bergson observes our cultural habit of dividing time into discrete moments, and conceiving of these as if akin to objects in a spatial succession. [1] Against such a notion, Bergson argues for…
As we attend to these and other aspects of music’s temporality, Begbie suggests, we will find means by which to resist some of our habitual modern ways of conceptualizing time, most especially our tendency to conceive of time as if it were a homogeneous set of technologically quantifiable units laid…
The Hidden Dimension In many fields of scientific study, the apparent complications and contradictions are dispelled once the internal logic is perceived. Biblical hermeneutics is no different, since the author of Creation is the Author of the Word. The Bible’s literary labyrinth radiates organically from an algorithm so simple it…
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When John first enters heaven, no altar is visible. He sees an altar for the first time when the fifth seal is broken, and at that point his attention is directed to the base of the altar, where the martyred saints have shed their blood (6:9). The next time we…
Richard Beck points out in Unclean that disgust is “promiscuous”: It “has a degree of plasticity; it is molded to fit a given culture.” In this, disgust differs from other emotions: “The core triggers for happiness, fear, sadness, or anger appear to be fairly stable and consistent across cultures. But…
Ernest Becker wrote: “Excreting is the curse that threatens madness because it shows man in his abject finitude, his physicalness, the likely unreality of his hopes and dreams. But even more immediately, it represents man’s utter bafflement at the sheer non-sense of creation: to fashion the sublime miracle of the…
The worship of the beast in Revelation 13 takes the form of an acclamation of His uniqueness. “Who is like the beast?” they cry. This has several layers of significance. This acclamation echoes the acclamation of Israel in the song of Moses: “Who is like You among the gods, O…
The beast of Revelation 13 initiates a double attack against the saints: first blasphemy, then he “makes war” on them (vv. 6-7). The blasphemies are against God, but they are directed also at the name of God, His tabernacle, and those who dwell in heaven (v. 6). The dragon has…
Polybius wrote, “when a man who has been helped when in danger by another does not show gratitude to his preserver, but even goes to the length of attempting to do him injury, it is clear that those who become aware of it will naturally be displeased and offended by…
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