Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Standing in the narthex at the font, parents joyfully approach with their newborn child. The pastor asks the parents a series of questions that may include their renunciation of the devil and all his works, their faith in God the Father, Son, and Spirit as explained in the Apostles’ Creed,…
And there was a prophetess, Anna, the daughter of Phanuel, of the tribe of Asher. She was advanced in years, having lived with her husband seven years from when she was a virgin, and then as a widow until she was eighty-four. She did not depart from the temple, with…
Get the Psalm 30 Translation here Psalm 30 is a song for the dedication of "the house." Since it is by David, the house would seem to be his palace in Jerusalem. The psalm has an ABA structure, with the B structure being an exhortation to the saints, and the…
I once asked a ferryboat captain if steering a ferry was any different than driving, say, a big semi truck. He looked at me like I had just asked whether a bowling ball fell when you dropped it. “It’s completely different,” he said. “On the river, you never stay pointing…
The key scene in Shakespeare's Much Ado About Nothing comes just after the first wedding scene when Claudio tosses Hero aside as a "rotten orange." He has been tricked into thinking that Hero is unfaithful, and that is an affront to his honor. He won't put her away quietly. He…
Medieval Christianity is in the news. That’s exciting for me as I have a PhD in medieval theology and I teach Ancient and Medieval Church History at Covenant Seminary. Thus I have a little “skin in the game,” as the saying goes. Earlier this week our President made some comments…
Showing page 160 of 309
Showing page 2 of 43
In his TLS review of Kathryn Walls’s study of the symbolism of Una in Spenser’s Faerie Queene ( God’s Only Daughter ), Bart van Es compares Walls’s book to that of John Dixon, a sixteenth century farmer who annotated his copy of Spenser: “Like Dixon, Walls takes the Bible and…
When John enters heaven (Revelation 4), He sees the Enthronement as a precious stone, a stone glowing with light, a stone that sparkles like a star, and He is surrounded with a rainbow that is also described as a precious stone. Specifically, the stone is the emerald. This is the…
In his Caused to Believe , William Bonney follows up suggestions from Charles Giblin regarding the structure of John’s prologue and the structural connections between the prologue and the gospel. Giblin finds what he calls an X-Y pattern in the prologue: “The X of this pattern encompasses verses 1–13. The…
In the latest issue of the International Journal of Systematic Theology , the redoubtable and hyper-productive Matthew Levering probes Augustine’s arguments (in de Trinitate ) for concluding that the Spirit is “love” and “gift.” As Levering points out, the identifications are not straightforwardly asserted anywhere in Scripture, yet Augustine makes…
God’s throne in heaven, like Sinai, flashes with lightning, crashes with thunder (Revelation 4:5). Those throne phenomena are repeated at crucial seams in the book of Revelation, with additions. After the seventh seal, an angel throws fire to earth, which reproduces the heavenly throne on earth (8:5)—thunder, sounds, lightning, with…
Christians walk into church through a door. All of them can come in. There’s no restricted access. Inside, there’s a lectern with a Bible, a table with food, a pastor in white. In some churches, the aroma of incense fills the air. It’s the holy place; in fact, the most…
Showing page 629 of 2212
Your weekly digest for all things Theopolis.
