Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Summary In what follows, I will consider the “year-stamps” employed in Scripture, i.e., statements of the form, “Such-and-such an event took place in the Xth year of Y.” In the process, I will suggest some ways in which the Biblical narrative might relate to events in the extra-Biblical world, though…
In the first essay on the parable of the Prodigal Son, I suggested that the problems commentators and others encounter in interpreting Jesus three-part parable are not accidental. These are not just problems in our ignorance of cultural background. They are intentional features of the stories —stories designed to poke…
The story of the Prodigal Son is perhaps the most well-known story in the Bible. As others have observed, it may also be one of the most misunderstood. In two short essays, I will point out features of this story that are commonly neglected, aspects of Jesus’ parable that might…
The parable of Lazarus and the nameless rich man is not an independent story. It is part of a long context that begins in Luke 15:1, where Jesus is eating with tax collectors and sinners and the scribes and Pharisees grumble. In response to their hardheartedness, Jesus tells a three-part…
The Bible is written so that even when a reader cannot pick up on what might be deeper or more detailed aspects of a text, there is virtually always a message to be heard. In the ancient world, where the “reader” of Scripture would likely be a church official facing…
The distinction between garden (or vineyard) and field begins in Genesis 2. This relates to the ordering of the formless world. Plants of the field are contrasted with the garden planted by God in Genesis 2:5&8. Later on, under the Old Covenant the Israelites will be required to keep their…
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God did not need to make the world. But once He’s made it, He cannot be a righteous God unless He deals righteously with sin (by punishing it) and righteously with His people (by justifying them). This is why Paul says the cross demonstrates God’s righteousness so that He might…
God did not need to make the world. But once He’s made it, He cannot be a righteous God unless He deals righteously with sin (by punishing it) and righteously with His people (by justifying them). This is why Paul says the cross demonstrates God’s righteousness so that He might…
Jim Jordan suggests that justification as forgiveness of sins always also includes glorification. The “robe” that covers us (imputed righteousness) is likewise a garment of glory and beauty, so that we are invested for office at the same time we are glorified. He wants also to relate this to the…
The story of the 10 lepers in Luke 17 is not just about Jesus demonstrating that He is powerful to save, cleanse and heal. He is powerful for all those things; He DOES have mercy on the unclean and the outcasts. But Luke tells the story of the healing almost…
Part of the Renaissance recovery of history was an emphasis on mutability and change. Few themes so dominate the poetry of Spenser or the sonnets of Shakespeare as the fear that Time will gobble up everything good. This was continuous with ancient (and medieval) conceptions of the world, since changeability…
“Movies,” writes Brian Godawa, a Christian screenwriter, “may be about story, but those stories are finally, centrally, crucially, primarily MOSTLY about redemption.” Godawa uses the theologically loaded term “redemption” intentionally, but he recognizes that many contemporary movies present a distinctly secular gospel of redemption. For some movies, redemption comes through…
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