Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Jamie Soles is the reason I know my way around a guitar. When my guitar teacher put the sheet music for Eine Kleine Nachtmusick in my fourteen-year-old hands, I balked. He gave me “Foggy Mountain Breakdown.” I learned half of it. At home, I ignored my teacher’s instructions and tugged…
This is a tough era for mothers. Regard for mothers, while it is always booming in some circles, is decidedly lacking in the prevailing winds of the milieu. In high demand by contrast is contribution to the work force, being a consumer, and basic economic survival, often as a solitary…
After the dark quiet of the year’s beginning, I return now to pick up the threads of my reflection on integration. This is my own personal inquiry, and for me it is no academic exercise but rather the forefront of my personal quest for the real. My hope is that…
The chiastic structure of The Hobbit we considered in the previous essay is highly suggestive of what might lie in store for The Lord of the Rings saga. It is undoubtedly the case that J. R. R. Tolkien was a literary craftsman. It may even be the case he is…
Structure plays an important part of any literary work, whether poetry or prose. It adds to the beauty and depth of the work and allows insight to be gained about what the author is trying to communicate. The question that concerns us here is whether or not there exists an…
Can we learn to communicate from an outside intelligence? Spoiler Alert! If you have not yet seen the movie, this article may provide you with a great deal more information than you wished to know at this point. Since the 1999 film The Matrix received careful scrutiny on many fronts…
Showing page 81 of 309
Showing page 20 of 43
James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
Showing page 396 of 2212
Your weekly digest for all things Theopolis.
