Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
There are many legitimate reasons to lament the divided state of the church. Fleshly pride, theological hubris, sectarian rivalries are each in their own ways modern versions of the Galatian heresy, refusing table fellowship with brothers and sisters for whom Christ died. And denominations have frequently played the same role…
Though Bogumil Jarmulak was not able to deliver his lectures on Jurgen Moltmann due to flight delays, he preached at Trinity Presbyterian Church on Sunday morning, June 14. He encouraged the church in how to deal with misery in this life, and pointed them to their only hope in life…
Connecting with the past within the present is a complicated endeavor. One of the most immediate challenges facing us is that of ensuring that, as Christians, our use of the past is undertaken in service of present faithfulness. The past is not a realm to which we retreat, but a…
Dear friend of Theopolis, Before he attended the Theopolis course on Holistic Mission during Easter term, 2014, Jonathan Sedlak lived with his family in the quiet, comfortable Milwaukee suburb of Slinger, Wisconsin. An intensive week in Birmingham changed all that. Listening to missionary Wes Baker and hashing over readings and…
“What is in the nature of these materials?” The Bauhaus, founded in Germany in 1919 by architect Walter Gropius, had a profound influence in every area of design, from graphics and typography to clothing, furniture and architecture. The institution was not so much a style as a method, its philosophy…
Russell Richey's Denominationalism collects some of the most important essays on its titled topic. The authors are a who's-who of 20th century American religious history: Winthrop Hudson, Timothy L. Smith, Sidney Mead, Richey himself, H. Richard Niebuhr and Martin Marty. Some are broad synthetic studies; others are more granular studies…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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