Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
C. S. Lewis tackled what is perhaps the most difficult and oft-heard objection to the Christian God in his classic, The Problem of Pain. 1 “If God were good,” Lewis restates the problem, “He would wish to make His creatures perfectly happy, and if God were almighty, He would be…
There is nothing incongruous about assuming that Jesus lamented over His people on three separate occasions and that on two of those occasions, He expressed Himself in almost identical language. Two lamentations are recorded in the Gospel of Luke and are clearly marked as distinct. They are also expressed in…
In the Anglican Church in North America, the question of women’s ordination to the priesthood continues to be discussed with each diocese left to decide its own practice. A recurring point of debate is how we are to understand the priest’s representative role in the liturgy. Emily McGowin, in a…
The Theopolis Institute recently added two new members to its Board of Directors, Josh Rollins and Sarah Moore. Josh has recently served as Senior Vice President of Corporate Development for MeTEOR Education, and was previously Chief Financial Officer at MeTEOR. He brings a wealth of finance experience, and will take…
Since moving to Englewood, Colorado, I have been blessed to be involved in the nuts-and-bolts practice of Church unity. The pastors here talk about the One Church in Englewood, and mean it. They love each other, pray fervently for each other, and long for the unity they enjoy to spread…
One day, the author Samuel Clemens cut himself shaving. He was an inveterate foul-mouth and on this occasion recited the entirety of his iniquitous vocabulary. When he was finished, his wife, hoping to shock him, repeated every word he said. Clemens responded, "You have the words, dear, but you don't…
Showing page 73 of 309
Showing page 20 of 43
Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
Showing page 64 of 2212
Your weekly digest for all things Theopolis.
