Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the first part of this essay, I argued that the story of the covenant is what unifies and grounds the laws in the book of Deuteronomy. In the third section of this essay, as part of my argument that Deuteronomy 14:1-21 forms a distinct pericope, I claimed that these…
Paul ends 1 Timothy with convicting warnings about the temptations of wealth and the danger of pursuing wealth. Godliness involves contentment and gratitude for the basics – food and clothing (1 Timothy 6:8). To reinforce the point, Paul reminds Timothy that we came into the world without anything, which is…
Like Marx himself, the Marxist sociologist Henri Lefebvre was a firm believer in the dictum that “the criticism of religion is the premise of all criticism,” though he dissented from Marx’s prior claim that the criticism of religion is essentially complete. He includes a vicious, sarcastic, Marxist diatribe against the…
This week, Trinity House fellows James Jordan, Jeff Meyers, Rich Bledsoe, and Peter Leithart will be lecturing in Niceville, Florida, at the Biblical Horizons Summer Conference. Fore more information, check the Biblical Horizons web site.
Fire seems to be a motif in Isaiah 6. The chapter opens “in the year that king Uzziah died,” and we know that Uzziah died a leper because he tried to burn incense in the temple against the law of God. And in this context, in the year king Uzziah…
According to the medieval theory of the "Quadriga" or the "fourfold sense" of Scripture, each passage of Scripture has four dimensions of meaning. Protestants generally cast a suspicious eye on this "method" of reading. That's a mistake. It's a handy guide to the questions we should always ask as we…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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