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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Biblical Studies

The Beatitudes and Woes

Mrs. Marguerite Lane of Grand Rapids writes to ask if I have ever noticed a correlation between the eight beatitudes of Matthew 5 and the eight woes of Matthew 23. I confess that I have not. A glance at various commentators reveals that such a correspondence does not seem to…

by James B. JordanMay 15, 1989
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Proverbs

Advice From a Sojourner, Part 1

1. The words of Agur, the son of Jakeh, the burden. The man declares to Ithiel, to Ithiel and Ucal: 2. Surely I am more stupid than any other man, And I do not have the understanding of a man. 3. And I have not learned wisdom, But I have…

by James B. JordanMay 15, 1989
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Biblical Studies

The Problem of Psalm 137

Psalm 137 is widely regarded as one of the meanest of the imprecatory psalms. Certainly as we read it it is seems to be a song of pure vengeance. The exiles in Babylon, in grief over the judgment that Babylon has brought upon them, pray for the destruction of that…

by James B. JordanApril 15, 1989
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Biblical Studies

The Thigh of the Peace Offering

In the Levitical law, the priests received two particular portions of each peace offering: the "wave offering" of the breast and the "heave offering" (or better, "contribution") of the right thigh. The purpose of this essay is to attempt to determine the reason why the second of these, the thigh,…

by Peter LeithartApril 13, 1989
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Biblical Studies

The Son of Joseph

The story of Jesus’ visit, early in His ministry, to the synagogue in His home town of Nazareth is recorded for us in Luke 4:16-30. You may remember that Jesus read from Isaiah about how the Messiah would preach the gospel, care for the poor, work miracles, and bring in…

by James B. JordanApril 12, 1989
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Biblical Horizons

"Do This!"

(The essay that follows concerns a rather touchy subject: how the Lord’s Supper is to be done. I am not writing to insult or offend, but to challenge. To that end I have not "held back" but have "gone ahead" and said what I think needs to be said —…

by James B. JordanMarch 12, 1989
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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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