Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Summary In what follows, I will consider the “year-stamps” employed in Scripture, i.e., statements of the form, “Such-and-such an event took place in the Xth year of Y.” In the process, I will suggest some ways in which the Biblical narrative might relate to events in the extra-Biblical world, though…
In the first essay on the parable of the Prodigal Son, I suggested that the problems commentators and others encounter in interpreting Jesus three-part parable are not accidental. These are not just problems in our ignorance of cultural background. They are intentional features of the stories —stories designed to poke…
The story of the Prodigal Son is perhaps the most well-known story in the Bible. As others have observed, it may also be one of the most misunderstood. In two short essays, I will point out features of this story that are commonly neglected, aspects of Jesus’ parable that might…
The parable of Lazarus and the nameless rich man is not an independent story. It is part of a long context that begins in Luke 15:1, where Jesus is eating with tax collectors and sinners and the scribes and Pharisees grumble. In response to their hardheartedness, Jesus tells a three-part…
The Bible is written so that even when a reader cannot pick up on what might be deeper or more detailed aspects of a text, there is virtually always a message to be heard. In the ancient world, where the “reader” of Scripture would likely be a church official facing…
The distinction between garden (or vineyard) and field begins in Genesis 2. This relates to the ordering of the formless world. Plants of the field are contrasted with the garden planted by God in Genesis 2:5&8. Later on, under the Old Covenant the Israelites will be required to keep their…
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And in case there is any doubt that Bloom’s aesthetics is tragic: He claims that a poet is always one who is “rebelling more strongly against the consciousness of death’s necessity than all other men and women do.” (Call this the “heroic poet,” operating by the code of heroic honor…
And in case there is any doubt that Bloom’s aesthetics is tragic: He claims that a poet is always one who is “rebelling more strongly against the consciousness of death’s necessity than all other men and women do.” (Call this the “heroic poet,” operating by the code of heroic honor…
In the introduction to Anxiety of Influence , Harold Bloom quotes Geoffrey Hartman to the effect that art seeks “to overcome priority,” specifically the priority of nature: “art fights nature on nature’s own ground, and is bound to lose.” Bloom, of course, links this up with his own project of…
Sermon outline for November 9: Where Your Treasure Is, Luke 12:1-53 INTRODUCTION Luke 11 ended with Jesus’ most clear and pointed condemnation of “this generation,” which would be charged with all the blood of prophets from Abel to Zechariah (11:51-52). Throughout the following two chapters, this threat is in the…
For Thomas, the “final cause” is the first cause. That is, the purpose for which a thing is done is what initiates doing the thing. I plan to retire to Tahiti; that is my final purpose. And that is the cause that initiates the various schemes of earning and saving…
Thomas W. Mann has some interesting comments on the Joseph narrative in his 1988 book The Book of Torah: The Narrative Integrity of the Pentateuch . First, he points out that Joseph’s “trial” of his brothers is equally a trial of his father; Jacob initially refuses to give up his…
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