Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Some of the key ways Biblical writers draw attention to important details in their stories are by the use of key words, repetition, and structural devices like chiasms and parallel constructions. The Bible sounds different, even odd, to us sometimes because of the use of these and similar literary conventions.…
It is pretty standard in conservative Christian circles to condemn unbelief for pretensions of “autonomy.” Cornelius Van Til famously (at least among those of us who knows who he is) said that “There is no alternative but that of theonomy and autonomy.” Greg Bahnsen appealed to this quotation by labeling…
Jesus was the greatest teacher who ever taught — the Light of the World, whose pure Truth brought sight to the blind (John 9). Almost no one — even those who speak openly against Him — disputes His reputation as a wise and good teacher of the way of love.…
It is clear that the events in Esther are an integral part of the history of the formation of the Restoration Covenant Era. Amalek attacks. Amalek is spoiled. The spoils are used to build the Temple, in the sense that the crude Temple of Zerubbabel can now be glorified with…
It is not coincidental that John Calvin speaks most strongly in defense of vernacular language just after his defense of singing in church. "From this also it plainly appears that public prayers must be couched not in Greek among the Latins, nor in Latin among the French or English, as…
In A Voyage Around the World , George Anson recounts the effects of scurvy upon an unfortunate man: But a most extraordinary circumstance, and what would be scarcely credible upon any single evidence, is, that the scars of wounds which had been for many years healed, were forced open again…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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