Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In Colossians 4:7-9, Paul tells the Colossian church that he is sending Tychicus and Onesimus to them. It is clear that they are to deliver the letter Paul has written to the church and that they are also to report to the church the details of Paul’s ministry in chains…
On the 11 th of April, 1985, the communist dictator Enver Hoxha breathed his last. It was the beginning of the end of communist Albania. After 40 years of being isolated from almost the entire world, the Albanian people started to see what life really looked like outside their borders.…
Karl Ove Knausgaard once reminisced about an author he referred to as “the man with his sweater tucked into his trousers” who, upon entering the room, would declare as if it was his creed, “I write because I am dying.” Knausgaard acknowledges this to be one reason among many why…
The Missing “It Was Good” The patterns and repetitions of Genesis 1 are well known: God speaks, it happens, and God sees that it’s good; names are given, and there’s evening and there’s morning: a day. But the patterns of creation, like the patterns throughout Scripture, are marked by variation…
And it is my prayer that your love may abound more and more, with knowledge and all discernment, so that you may approve what is excellent, and so be pure and blameless for the day of Christ, filled with the fruit of righteousness that comes through Jesus Christ, to the…
The Bible is a book about trees. We start in Eden with two trees, we end in the New Jerusalem with a single double-trunked tree, and the story hinges around the tree they nailed our Lord to. Seeing the Forest We find trees singled out on day three of creation.…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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