Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
There’s something about joy that is infectious. And occasionally, we all have the opportunity to be in someone’s presence who is so happily engaged in their work, so joyous in their pursuits, that we want to learn from them. We want to know where that joy comes from and attain…
Jesus has told us that He intends all nations to be discipled. Nations. Not just individuals. All nations as theocracies. That being the case, the Church exists for the life of the world. Being baptized is not only a matter of becoming part of a new family, it is also…
Harold Bloom’s essay on Macbeth includes the kind of penetrating insights that make Bloom the great Shakespearean scholar that he is, but it also includes his typical and intense anti-Christian bias. “If Lear was pre-Christian, then Macbeth is weirdly post-Christian. There are, as we have seen, Christian intimations that haunt…
Revelation 16 is a day of atonement text. The tabernacle of the testimony has been opened (15:5). The angels who receive the bowls are clothed in linen (15:6), the clothing of the high priest when he goes into the sanctuary on the day of atonement (Leviticus 16:4). The temple is…
From time to time, when I’ve lectured on how to read the Bible, I’ve used art-music as one example thereof. When we listen to a simple folk song, we hear the same melody over and over again, but this is not how composers write "high" music. Let me amplify. A…
"For just as Jonah was three days and three nights in the belly of the sea-monster, so will the Son of Man be three days and three nights in the heart of the earth" (Matthew 12:40). Some reflections on Jonah’s Big Fish have led to the following essay. Let me…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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