Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Why was Abel’s offering approved and Cain’s rejected? This question has been debated for many centuries. Some have argued that Cain’s offering was rejected because it was not a bloody offering; others that Cain’s offering was rejected because it was not from the firstfruits; others that Cain’s offering was rejected…
Last year I had occasion to work through the book of Luke as I did some work for one of my editorial clients, and this year my pastor has been preaching through Luke. Thus, I have twice been reminded of the Parable of the Unjust Steward (Luke 16:1-13), a parable…
We come now to what some have called the "Gordian Knot" of Biblical chronology: the period of the kings of Israel and Judah. We do not have a summary figure that tells exactly how long this period of time was. The book of Kings provides the years each king reigned,…
In an earlier article , while examining the biblical symbolism of dew, I noted the parallel in Psalm 133 between the dew upon Mount Hermon and the oil poured upon the head of Aaron. Both the dew of Hermon and the oil of ordination are compared to the pleasantness of…
The Covenantal Gospel was the last book written by the remarkable South African theologian and exegete Cornelius van der Waal. Two other works of van der Waal’s have been translated: Hal Lindsey and Biblical Prophecy , and Search the Scriptures . Because this book was written in 1979, it does…
A year or so ago, my wife and I were invited to a Christian school in order to preview a film on drug abuse that was going to be shown to our children. One of the children in this film turned out, of course, to be using drugs. This child’s…
Showing page 302 of 309
Showing page 22 of 43
Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
Showing page 1785 of 2212
Your weekly digest for all things Theopolis.
