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John

Israel Redux: The Image of Christ in the Gospel According to John (Part IV)

John 18, 19: Latter Prophets and the Writings John 18 and 19 record the arrest, trial, torture, and death of Jesus as laid out in detail in Isaiah 53. After the Roman soldier pierces Jesus’ side, John quotes Zechariah: “They shall look at him whom they pierced” (Zech 12:10). In…

by Geert HeetebrijDecember 6, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part III)

John 12.12 – John 17: Latter Prophets In the Hebrew Scriptures, Kings is followed by the Latter Prophets. John 12:15 quotes Zechariah 9:9 as having prophesied Jesus’ triumphal entry: “Do not be afraid, O Daughter of Zion; see, your king is coming, seated on a donkey’s colt.” [1] N.T. Wright…

by Geert HeetebrijDecember 5, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part II)

John 6.16-70: Joshua The book of Joshua documents the nation of Israel entering the Promised Land. Consider the order of events: (1) Israel is still receiving the daily miracle of manna; (2) Israel miraculously crosses the Jordan on dry foot; (3) The day after Passover , Israel eats produce of…

by Geert HeetebrijNovember 29, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part I)

Since my educational and professional training have revolved around story and narrative structure, I approach John’s Gospel from a literary and narrative perspective. In doing so, I have noticed structural story patterns and followed them where they seem to lead: the Gospel of John parallels the ordering of the books…

by Geert HeetebrijNovember 27, 2018
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Art

The Clouds of Mt. Sinai

The Mt. Sinai Hospital was neolithic on the black hill of Hollow, New Hampshire. Winter dampened the trees and the wind bit at the sparse branches, the sidewalks and stairs were perilous with soggy leaves, and the dim yellow light cast a pallor upon the milky stone building. Ambling inside…

by Remy WilkinsNovember 22, 2018
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Revelation

Egypt and Sodom, Where the Lord was Crucified

The Revelation can only be understood in the light of Old Testament symbols and sequences. The same is true of the epistle of Jude, which serves as a blistering hors d’oeuvre to John’s fiery feast. Possibly written by the apostle Judas Thaddaeus (Luke 6:16; Acts 1:13; John 14:22), the epistle…

by Mike BullNovember 20, 2018

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Toleration Without Liberalism

W e Americans pride ourselves on our religious freedom absolutism. Officially, the U.S. permits all religious expression and prohibits none. In reality, the situation is more complicated, since the scope of “religious expression” has to be negotiated by American courts. Polygamy isn’t protected religious practice, for instance, and a Presidential…

April 26, 2017

Othello Off Pitch

T he Sam Wanamker Playhouse, a Jacobean theater in the Globe complex in London, seats 340 in three tiers, tightly crowded on backless benches. During performances, the stage is lit by candles burning from six chandeliers. Actors enter and exit within inches of the audience. During Othello a few weeks…

April 26, 2017

Mugabe and the Pastor

T he Mail & Guardian Africa reports on Zimbabwean pastor Evan Mawarire, who has inspired a nationwide resistance to Robert Mugabe and now faces sedition charges. In April 2016, Mawarire “draped Zimbabwe’s flag over his shoulders, logged on to Facebook and delivered a passionate appeal to his fellow countrymen. He…

April 25, 2017

House of Prayer

The Chronicler's account of the completion of the house of the Lord (2 Chronicles 5-7) is arranged in a fairly neat chiasm. A. Solomon finishes ( shalam ) work, 2 Chronicles 5:1 B. Solomon celebrates the feast in the seventh month, 5:2 C. Levites take ark into the house, with…

April 24, 2017

Malick's Hollywood

Terrence Malick has been on a filmmaking tear, most recently releasing Song to Song . He's back, but that hasn't dulled his skepticism about the film industry. Brett McCracken sees Malick's earlier Knight of Cups as, in part, a reflection of Malick's “complicated relationship with Hollywood”: “Malick’s critique of Hollywood,…

April 21, 2017

Disenchanted Marxists

Karol Berger argues ( A Theory of Art ) that Lyotard's famed distinction of modern and postmodern is “far too stark.” In fact we aren't faced with a simple choice “between a belief in universal history grasped by an all-explaining meta-narrative and a belief in a plurality of equally valid…

April 21, 2017

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