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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Revelation

Benediction

After the identification of the recipients of his letter at the beginning of Revelation, John gives a benediction that resembles the benedictions of the Pauline letters. He pronounces grace/favor and peace, grace and favor that lead to peace, grace that leads to fullness and harmony that is the biblical definition…

by Peter LeithartOctober 2, 2013
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Symbolism

Hand to Hand

Throughout the latter half of 1-2 Samuel, Saul and David are locked in hand-to-hand combat. It seems an unequal contest. All the heavy artillery is on Saul's side. To understand the full scope of the conflict, we need to back up to the beginning of the book. Prior to Saul's…

by Peter LeithartSeptember 30, 2013
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Theopolis News

Borderland

Last week, I lectured at Ostrog Academy in Ostrog, Ukraine, and at a pastors' conference in Kyiv. The latter was co-sponsored by Trinity House and the Alliance of Reformed Churches in Ukraine. I offer my impressions of Ukraine this morning at Firstthings.com .

by Peter LeithartSeptember 27, 2013
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Media

Pascal and the iPod

Why do I bristle when I see someone with white wires hanging from his ears, flipping through what must be a million songs downloaded onto his iPod? No doubt, it’s the threat of the new. I've only recently begun carrying a cell phone, and now I hear tell of compact…

by Peter LeithartSeptember 25, 2013
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Isaiah

Where God Lives

Judah is in terrible shape (Isaiah 57). Yahweh told Israel to worship Him only at the temple, but the people worship on every hill and under every green and leafy tree. He commanded them to worship Him alone, but they are devoted to many gods. Worshipers set up their beds…

by Peter LeithartSeptember 23, 2013
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Hermeneutics

Everything Concerning Himself, (Part 2)

Like any great writer, the Lord foreshadows late happenings in early happenings. Like many greater writers, the Lord ends where he begins, returning to a glorified Edenic city-sanctuary at the end of his cosmic story. The Lord writes with history, real people and events, not merely with words. But His…

by Peter LeithartSeptember 18, 2013

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Overlapping Structures in Revelation 21-22

James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…

July 30, 2015

Show & Tell

The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…

July 30, 2015

Musical Bridges

In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…

July 30, 2015

Keeping Time, Keeping Together

William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…

July 30, 2015

End of the End

The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…

July 29, 2015

Seven Heads

In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…

July 29, 2015

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