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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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John

Moses & Jesus: Friends or Foes?

A Look at John 1.17 For the law was given through Moses, but grace and truth came through Jesus Christ. The above quotation is John 1.17 and comes from the New King James Version of the Bible. It is quite similar to the original translation in the old King James…

by Mark HorneJune 6, 2002
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Christology

Grace Apart From Sin

And the Child continued to grow and become strong, increasing in wisdom; and the grace of God was upon Him. There is nothing faulty in this translation (New American Standard Bible); Jesus was the recipient of the grace of God His Father from whom He is eternally begotten and with…

by Mark HorneJune 6, 2002
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Philemon

Flesh and Lord: Philemon 15 & 16

When Paul wrote to Philemon asking him to forgive his runaway slave, Onesimus, he gave Philemon an interesting perspective on how God used Onesimus’ action to bring about his conversion: For perhaps he was for this reason parted from you for a while, that you should have him back forever,…

by Mark HorneJune 6, 2002
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Covenant

Covenant of Works?

Adam’s good works were acceptable to God. He could do them and God would receive them. Our own “good” works, our very best works, require the forgiveness of God and the continual intercession of Jesus Christ due to their impurity. Thus, it is appropriate to describe God’s covenant with Adam…

by Mark HorneJune 6, 2002
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Mark

Blasphemy Against the Holy Spirit?

In Mark’s Gospel we read: “And the scribes who came down from Jerusalem were saying, ‘He is possessed by Beelzebul,’ and ‘He casts out the demons by the ruler of the demons’” (3.22). Jesus replied in part, “Truly I say to you, all sins shall be forgiven the sons of…

by Mark HorneJune 6, 2002
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Ecclesiology

A Visionary Ecclesiology

A Primer for Church Members on the Nature and Functions of the Body of Christ Introductory Note: I intend this paper to serve as something of a “user’s guide” for church members, though church leaders may also find it valuable in developing vision statements for their local bodies. I have…

by Rich LuskJune 5, 2002

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Overlapping Structures in Revelation 21-22

James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…

July 30, 2015

Show & Tell

The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…

July 30, 2015

Musical Bridges

In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…

July 30, 2015

Keeping Time, Keeping Together

William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…

July 30, 2015

End of the End

The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…

July 29, 2015

Seven Heads

In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…

July 29, 2015

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