Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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In his TLS review of Kathryn Walls’s study of the symbolism of Una in Spenser’s Faerie Queene ( God’s Only Daughter ), Bart van Es compares Walls’s book to that of John Dixon, a sixteenth century farmer who annotated his copy of Spenser: “Like Dixon, Walls takes the Bible and…
When John enters heaven (Revelation 4), He sees the Enthronement as a precious stone, a stone glowing with light, a stone that sparkles like a star, and He is surrounded with a rainbow that is also described as a precious stone. Specifically, the stone is the emerald. This is the…
In his Caused to Believe , William Bonney follows up suggestions from Charles Giblin regarding the structure of John’s prologue and the structural connections between the prologue and the gospel. Giblin finds what he calls an X-Y pattern in the prologue: “The X of this pattern encompasses verses 1–13. The…
In the latest issue of the International Journal of Systematic Theology , the redoubtable and hyper-productive Matthew Levering probes Augustine’s arguments (in de Trinitate ) for concluding that the Spirit is “love” and “gift.” As Levering points out, the identifications are not straightforwardly asserted anywhere in Scripture, yet Augustine makes…
God’s throne in heaven, like Sinai, flashes with lightning, crashes with thunder (Revelation 4:5). Those throne phenomena are repeated at crucial seams in the book of Revelation, with additions. After the seventh seal, an angel throws fire to earth, which reproduces the heavenly throne on earth (8:5)—thunder, sounds, lightning, with…
Christians walk into church through a door. All of them can come in. There’s no restricted access. Inside, there’s a lectern with a Bible, a table with food, a pastor in white. In some churches, the aroma of incense fills the air. It’s the holy place; in fact, the most…
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