Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
After 9 chapters of genealogy, the Chronicler begins his history with the death of Saul and the rise of David. The latter part of 1 Chronicles 12 describes the assembly of warriors from the twelve tribes to Hebron to celebrate David’s coronation as king. They have a three-day feast, with…
In the introduction we saw that Matthew and Luke are the only gospels which include “fire” in John the Baptist's narrative. If Matthew and Luke are the priestly and prophetic gospels, the inclusion of fire is of great importance. Priests are servants of the altar, working with fire every day.…
The feet of the great statue in Nebuchadnezzar’s dream cannot be interpreted as a prediction of the states of modern Europe, but the lessons from their failure can certainly be applied . The statue in Nebuchadnezzar’s dream spoke of God’s ordaining of four empires which would rule in succession throughout…
This past Sunday afternoon, I drove just a few miles west of my neighborhood to visit the corner of Sherman Blvd. and Burleigh St. in Milwaukee, Wisconsin. Amid a crowd I stood, looking at a huge gas station and multiple vehicles, all completely destroyed. Hundreds of feet of yellow caution…
1 Chronicles 12 is a flashback. The Chronicler has told the story of Saul’s death at the battle of Mount Gilboa. He has described how “all Israel” gathered to David at Hebron to make him king over all Israel (11:1-3). At the beginning of chapter 12, we move back to…
A great story draws you into specific details while delivering an ending that keeps you coming back. It brings you into the minutiae of life in such a way that requires patience, only to deliver a breath of fresh air time and again. The climax of the biblical story comes…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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