Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
"Put not your trust in princes, in a son of man, in whom there is no salvation. When his breath departs, he returns to the earth; on that very day his plans perish. Blessed is he whose help is the God of Jacob, whose hope is in the Lord his…
When it comes to the interpretation of Shakespeare, Harold Bloom is my favorite enemy. His writing is brilliant, his knowledge of things Shakespearean encyclopedic, and the insights he offers may puzzle, startle, or amaze, but they always educate. How then can he be an enemy? Because his anti-Christian bias is…
Theopolis President Peter Leithart spent the last week of March lecturing on worship and sacraments in England. He delivered four lectures on liturgy in Bolton, a town north of Manchester, arguing that Christian worship must be worship fit for the king and fit for the kingdom that has come in…
When we think about eschatology, we think immediately of Daniel, of Matthew 24-25, of 1 Corinthians 15 and 2 Thessalonians 2, and of course of Revelation. We don’t, I suspect, think about Genesis. Perhaps Genesis 3:15, with its promise of the woman’s seed, would come to mind. So might the…
Alexander Schmemann in his book, Of Water and the Spirit, expounds the question that appears in nearly all the older baptismal liturgies, “Do you renounce the devil and all his works, the vain pomp and glory of the world and all sinful lusts of the flesh.” This renunciation, according to…
Franklin Graham recently posted the following statement on his Facebook page: “Listen up—Blacks, Whites, Latinos, and everybody else. Most police shootings can be avoided. It comes down to respect for authority and obedience. If a police officer tells you to stop, you stop. If a police officer tells you to…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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