Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Integrity seems to have two meanings. It can mean the quality of being honest and having strong moral principles. A man of integrity is a person of honour, rectitude and probity, truthful and trustworthy. Integrity also describes a state – the quality of being whole and undivided. If things are…
Get the Psalm 32 Translation here Psalm 32 is the first part of Ps. 32-33, ending with a call to praise that is answered by what follows. Ultimately the psalm needs to be considered as a whole, but what we call Psalm 32 does have its own structure and logic,…
You wouldn’t hit a man with glasses would ya? No, of course not. I’d hit him with a bat. In our culture of frivolity it is tempting for Christians to think that solemnity should be our defining attribute. The coarseness of the world impedes us from enjoying any sort of…
Taking a cue in my last post from early Christian apologetics, I suggested that if we wish to articulate and defend a doctrine of creation ex nihilo in contemporary theology, we would do well to offer a thick description of Yahweh’s divine monarchia (his sole rule or sovereignty). Rather than…
I’m not sure we really understand the insidiousness of unbelief. It is not merely to reject the gospel of Jesus, the existence of a Creator God, or to question biblical morality. At its core, unbelief is ingratitude, and by the very nature of this ingratitude, it must ultimately reject every…
Mark’s narrative of the baptism of Jesus is characteristically brief: “In those days Jesus came from Nazareth of Galilee and was baptized by John in the Jordan. And when he came up out of the water, immediately he saw the heavens being torn open and the Spirit descending on him…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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