Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
After the identification of the recipients of his letter at the beginning of Revelation, John gives a benediction that resembles the benedictions of the Pauline letters. He pronounces grace/favor and peace, grace and favor that lead to peace, grace that leads to fullness and harmony that is the biblical definition…
Throughout the latter half of 1-2 Samuel, Saul and David are locked in hand-to-hand combat. It seems an unequal contest. All the heavy artillery is on Saul's side. To understand the full scope of the conflict, we need to back up to the beginning of the book. Prior to Saul's…
Last week, I lectured at Ostrog Academy in Ostrog, Ukraine, and at a pastors' conference in Kyiv. The latter was co-sponsored by Trinity House and the Alliance of Reformed Churches in Ukraine. I offer my impressions of Ukraine this morning at Firstthings.com .
Why do I bristle when I see someone with white wires hanging from his ears, flipping through what must be a million songs downloaded onto his iPod? No doubt, it’s the threat of the new. I've only recently begun carrying a cell phone, and now I hear tell of compact…
Judah is in terrible shape (Isaiah 57). Yahweh told Israel to worship Him only at the temple, but the people worship on every hill and under every green and leafy tree. He commanded them to worship Him alone, but they are devoted to many gods. Worshipers set up their beds…
Like any great writer, the Lord foreshadows late happenings in early happenings. Like many greater writers, the Lord ends where he begins, returning to a glorified Edenic city-sanctuary at the end of his cosmic story. The Lord writes with history, real people and events, not merely with words. But His…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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