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John

Israel Redux: The Image of Christ in the Gospel According to John (Part IV)

John 18, 19: Latter Prophets and the Writings John 18 and 19 record the arrest, trial, torture, and death of Jesus as laid out in detail in Isaiah 53. After the Roman soldier pierces Jesus’ side, John quotes Zechariah: “They shall look at him whom they pierced” (Zech 12:10). In…

by Geert HeetebrijDecember 6, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part III)

John 12.12 – John 17: Latter Prophets In the Hebrew Scriptures, Kings is followed by the Latter Prophets. John 12:15 quotes Zechariah 9:9 as having prophesied Jesus’ triumphal entry: “Do not be afraid, O Daughter of Zion; see, your king is coming, seated on a donkey’s colt.” [1] N.T. Wright…

by Geert HeetebrijDecember 5, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part II)

John 6.16-70: Joshua The book of Joshua documents the nation of Israel entering the Promised Land. Consider the order of events: (1) Israel is still receiving the daily miracle of manna; (2) Israel miraculously crosses the Jordan on dry foot; (3) The day after Passover , Israel eats produce of…

by Geert HeetebrijNovember 29, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part I)

Since my educational and professional training have revolved around story and narrative structure, I approach John’s Gospel from a literary and narrative perspective. In doing so, I have noticed structural story patterns and followed them where they seem to lead: the Gospel of John parallels the ordering of the books…

by Geert HeetebrijNovember 27, 2018
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Art

The Clouds of Mt. Sinai

The Mt. Sinai Hospital was neolithic on the black hill of Hollow, New Hampshire. Winter dampened the trees and the wind bit at the sparse branches, the sidewalks and stairs were perilous with soggy leaves, and the dim yellow light cast a pallor upon the milky stone building. Ambling inside…

by Remy WilkinsNovember 22, 2018
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Revelation

Egypt and Sodom, Where the Lord was Crucified

The Revelation can only be understood in the light of Old Testament symbols and sequences. The same is true of the epistle of Jude, which serves as a blistering hors d’oeuvre to John’s fiery feast. Possibly written by the apostle Judas Thaddaeus (Luke 6:16; Acts 1:13; John 14:22), the epistle…

by Mike BullNovember 20, 2018

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House of Wisdom

1 Chronicles 22 records a lengthy speech from David to his son Solomon. The very setup suggests an analogy with the book of Proverbs, in which Solomon gives instructions to his son the prince. For the Chronicler, Solomon learned to teach wisdom by receiving it from David. That formal hint…

December 1, 2016

Sources of Apocalyptic

I n his 1892 Lectures on the Apocalypse (29–30), William Milligan argues that “the symbolism of the Revelation is wholly and exclusively Jewish.” He illustrates: Even “the crown of life” in chap. i. 10 is not the wreath of the victor in the Grecian games, but the Hebrew crown of…

December 1, 2016

Limits of Pen and Tongue

S hakespeare's Sonnet 103 laments the limits of language to capture the thing it describes. “Look in your glass,” the poet says, and you will see a face that overwhelms “my blunt invention quite.” The reality dulls the poet’s lines and disgraces him. And it would be a sin to…

November 30, 2016

Church With Soul of America?

The paragraphs below are taken, with slight changes, from a column I wrote at Firstthings.com in July 2015. The questions are even more pressing since Trump's election. I mmigration has always roiled under the surface of American politics. It’s the price of being America, a land subdued by outcasts and…

November 30, 2016

A House by and for Nations

A fter David sinfully takes a census of Israel (1 Chronicles 21), the threshing site where he builds the altar that arrests the plague becomes the temple site (1 Chronicles 22:1). David begins preparations for the temple. First, he gathers the “strangers” (Heb. ger ), non-Israelite residents of the land…

November 29, 2016

Love Well What You Leave

S hakespeare's Sonnet 73 embodies the excessiveness of poetry. It’s possible to summarize the poem in a brief statement: “I’m getting old. I'll die. Love me while you can.” Why so belabor the point? One effect of belaboring through fourteen lines of iambic pentameter is to link aging with cosmic…

November 29, 2016

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