Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
This essay is adapted from my articles in Theopolis’s In Medias Res as a series of Holy Week meditations. Like many celebrities such as Kanye or Beyoncé or Adele, Josquin des Prez (d. 1521) was often known only by his first name, in his own time as now. “Josquin” is…
Sight is a major theme in the scriptures. The church has long identified sight’s relationship to the future fulfillment of the eschaton. As Paul says, “For now we see only a reflection as in a mirror; then we shall see face to face” (1 Cor 13.12). Sight is associated with…
What is the chief end of man? —yes, to glorify God and enjoy him forever. But how ought man–and all creation–so glorify him? I propose a Theopolitan addition to the catechism, question and answer number 1.5, begun in the last question and answered as follows: Earth’s inhabitants were created to…
Naphtali is a hind let loose: he giveth goodly words. Genesis 49:21 Frederick Buechner once said, “We move into the extraordinary by way of the ordinary.” In poetry, this happens by way of a compressed code of analogs; often, two or more very ordinary things begin to reveal something that…
The evangelical milieu of America has often lost a vision of the fruit of repentance. We tend to simplify repentance by asking for forgiveness. After all, Jesus tells Peter to forgive 70 times 7. This verse must be paired with Paul’s scoffing at the question: why not sin more so…
I. The hemorrhaging woman. En route to Jairus’ house, Jesus is touched by a woman with a hemorrhage of blood (Matt 9:18–26; Mk 5:21–34; Lk 8:40–48). The story is one that many of us know very well. She has been yoked to her illness for twelve years, all of her…
Showing page 7 of 309
Showing page 23 of 43
Prior to the 18th century, writes Mark Evan Bonds, instrumental music was considered inferior to music that accompanied words ( Wordless Rhetoric ). According to the artistic theory developed by Johann Georg Sulzer, “instrumental music . . . can be pleasing and at times moving, but its ‘meaning' is relatively…
Paul's speech on the Areopagus is the second of three programmatic speeches in Acts. Robert Tannehill notes ( The Narrative Unity of Luke-Acts ) that they trace the progression of Paul's mission: “Careful planning is indicated by the fact that we have three different types of speeches addressed to three…
In his now-classic Sources of the Self (143-4), Charles Taylor observes that Descartes is “in many ways profoundly Augustinian: the emphasis on radical reflexivity, the importance of the cogito, the central role of a proof of God's existence which starts from ‘within,' from features of my own ideas, instead of…
Mark Evan Bonds's Absolute Music is a study of 19th-century debates concerning the purity or absoluteness of music, the question of the possibility and/or propriety of segregating music from the rest of the world, music as a sheer aesthetic experience, an experience of pure beauty or simple form. It's a…
Robert Tannehill points out in the second volume of his Narrative Unity of Luke-Acts that Acts 16-19 depicts a recurring “public accusation type-scene.” Prior to chapter 16, the public accusations against Paul and his associates are not highlighted. After chapter 16, they are. “In 16:20-21 Romans accuse the mission of…
Matthew B. Crawford argues in The World Beyond Your Head that things discipline our attention and thus make genuine knowledge of the world possible: “ things that can serve as a kind of authority for us, by way of structuring our attention. The design of things—for example, cars and children’s…
Showing page 302 of 2212
Your weekly digest for all things Theopolis.
