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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Hermeneutics

The Complexity of Biblical Allusion

There is no question about the fact that the book of Deuteronomy is full of literary allusion. But there is a serious problem, even a paradox, of understanding how that allusion works. To begin with, if we assume that Deuteronomy was written by Moses — with some editorial emendations added…

by Ralph Allan SmithJanuary 23, 2018
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Culture

The Artificial Resurrection

Genesis and Genetics in Blade Runner 2049 The power of science fiction, and what’s positive about it, is that you’re able to experience the worst-case scenario without actually having to live it. (Actor Ryan Gosling, who plays Officer “K”) (Warning: The following analysis contains spoilers for both Blade Runner films.)…

by Mike BullJanuary 18, 2018
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Biblical Studies

The Battle of Gog and Magog

The battle of Gog and Magog is found in Ezekiel 38-39. My purpose in this brief essay is to propound an explanation for this passage that I have not encountered in any of my commentaries, but that makes more sense to me than any other. I offer it here in…

by James B. JordanJanuary 16, 2018
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Deep Hope

I. Varlam Shalamov in Kolyma Tales describes his experience of the Gulag, where he spent more than a dozen of years. In a story titled The Life of Engineer Kipreev Shalamov reflects on the theme of hope in the life of a prisoner: “Hope always shackles the convict. Hope is…

by Bogumil JarmulakJanuary 11, 2018
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Biblical Theology

Abram’s 318 Men

Genesis 14:14 says that Abram mustered his trained men, “born in his house,” to rescue Lot, and gives their number as 318. It is clear that the precise number is provided for some reason, but what is it? S. Gevirtz notes that 318 is the sum of all the prime…

by James B. JordanJanuary 9, 2018
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Biblical Studies

The Flying Scroll

And he said to me, "What do you see?" And I answered, "I see a flying scroll; its length is twenty cubits and its width ten cubits" (Zechariah 5:2). Immediately following his vision of the outpouring of the Spirit upon the restoration community (4:1-14), Zechariah saw a flying scroll. The…

by Peter LeithartJanuary 4, 2018

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Overlapping Structures in Revelation 21-22

James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…

July 30, 2015

Show & Tell

The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…

July 30, 2015

Musical Bridges

In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…

July 30, 2015

Keeping Time, Keeping Together

William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…

July 30, 2015

End of the End

The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…

July 29, 2015

Seven Heads

In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…

July 29, 2015

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