Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
As Adam and Eve walked to the center of the Garden of Eden to meet with the LORD on their first Sabbath they conversed about the origin and age of the earth. Adam: You know, honey, we spent a lot of time yesterday making preparations for our house, and we…
Some of our forefathers believed in reading/singing the psalms in order. Today, when the psalms are even used at all, they tend to be used randomly, though sometimes tied to a church calendar or to the pastor’s sermon. The Bible does not bind us to any particular practice, but there…
Dr. Collins begins his essay with a brief statement of the Day Age view and then a brief statement of the Six Day view, focussing on the challenge to that view posed by modern "science." He ends this discussion by writing: "Two crucial points are at stake here: first, the…
In his The Construction of Social Reality , Berkeley philosopher John Searle puzzles over the ontology of the products of human construction. Certain things – granite, platypi, weeping willows – occur naturally; while other realities – stone walls, zoos and parks, Chase Manhattan Bank – exist only as products of…
In the journal Presbyterion 20 (1994):109-130, published by Covenant Theological Seminary, Dr. C. John Collins sets forth a revision of the Day Age approach in his essay, "How Old Is the Earth? Anthropomorphic Days in Genesis 1:1–2:3." Dr. Collins’s essay has been widely accepted in evangelical Presbyterian circles as an…
The Righteousness of Shem and Japheth As noted above, the action of Shem and Japheth was purely symbolic. They did not need to cover Noah with a garment, for he was already covered by the tent. Their action was a symbolic affirmation of Noah’s authority, a symbolic rejection of Ham’s…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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