Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
When Jesus says in the farewell discourse that his disciples know the way to where He is going, Thomas replies: “We do not know where you are going. How can we know the way?” Jesus answers Thomas, but He gives Thomas more than he asked : “I am the way,…
Through the pandemic we learned a lot about infections, how to catch them, what’s contagious, how to protect yourself from getting the infection. I learned a lot of new terms, like “social distancing,” “ppe” (personal protective equipment), N95 masks, and so on. We’ve seen that people are willing to go…
In Genesis 9:20, Noah is called “a man of the soil”. This phrase is a bit of a shock in the Hebrew; though it’s made up of two very common words - 'ish is “man” and 'adamah is “soil” or “ground” - these two words are never used together before…
Harold Bloom’s discussion of Twelfth Night in his Shakespeare: The Invention of the Human is, as would be expected, insightful. It displays his deep love of poetry, and includes some truly eloquent descriptions of Orsino: “that sublimely outrageous lover of love” and “amiable erotic lunacy.” Bloom is worth reading just…
There have been times when Evangelicals, in an attempt to be clear about the errors of Rome and Constantinople concerning Mary, have been so denigrating of the mother of our Lord that they sounded more like cut and pasted lines from the Babylonian Talmud than they did disciples of Mary’s…
Awe is the phenomena experienced when one looks up and lights upon the height, majesty, and mystery of the California Redwoods. It appears the trees pierce heaven itself. Among these giant organisms are the Sequoia–while they are shorter in form, they reserve a width that spans an automobile. These trees…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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