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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Poetry

Seed-bearing Fruit

Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…

by Marc HaysAugust 16, 2023
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Augustine

Eternal Life Chiasm in John's Gospel

In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…

by Doug PonderAugust 15, 2023
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Ruth

Lot, Ruth, and the Work of New Creation

“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…

by Josh JensenAugust 8, 2023
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Culture

The Barbie Movie

Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…

by Robin HarrisAugust 1, 2023
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Matthew

Why Does John the Baptizer Look Like a Camel?

“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…

by Jeff MeyersJuly 26, 2023
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Literature

Stinking, Rotten Ministers of the Gospel

In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…

by Garrett SoucyJuly 18, 2023

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At the breast

The Torah never mentions breasts as an object of erotic fascination; they are solely nourishment for infants. In the wisdom literature, things are different. Solomon encourages young men to delight in the breasts of their wives - not of another, a strange woman (Proverbs 5) -, and in the Song…

February 14, 2013

Uncontained beauty

Solomon describes the beauty of his beloved in a neat and symmetrical poem in Song of Songs 7:1-6. Framed by “how beautiful you are” (vv. 1, 6), the poem describes ten features of her body. He starts with her feet and his gaze makes its way up. The ten features…

February 14, 2013
Literature

Books and Covers

The old adage applies in spades to the covers of Pride and Prejudice sampled in the NYTBR . Don’t judge the book by any of these covers, especially the Lady Godiva, the Twilight knock-off, and the “smokin’ bad boy Darcy” ones.

February 14, 2013

Concealed technology

Technology promises to accomplish the same things that have always been done more efficiently. Borgmann is skeptical ( Technology and the Character of Contemporary Life: A Philosophical Inquiry ) (45-46), and he summarizes George Sturt’s The Wheelwright’s Shop (Craftsman) to explain the notion of the “concealment” of technology, the fact…

February 14, 2013

Devices and Machinery

In his Technology and the Character of Contemporary Life: A Philosophical Inquiry , Albert Borgmann makes a crucial distinction between a technical device and its machinery. This is “a specific instance of the means-ends distinction” (43), the machinery being the means by which the device becomes useful to its user.…

February 14, 2013
Uncategorized

Literary Names

Claude Rawson’s review of Alastair Fowler’s Literary Names: Personal Names in English Literature focuses on names used to mock and deride. Swift, for instance, “attached enormous importance to naming and not being named (a characteristic Fowler incidentally identifies with Milton’s fallen angels). Swift scrupulously marked with an ‘X; every reference…

February 14, 2013

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