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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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Apolitical Liberalism

Judd Owen’s Religion and the Demise of Liberal Rationalism calls on liberals to pay attention to the foundational issues raised by liberalism’s antifoundational critics. Owen recognizes that liberalism does not propose a “neutral” theory of politics. While political regimes do not take sides in religious disputes, and thus exercise a…

February 6, 2018

Symphonic Love

Robert Jenson writes: “our enjoyment of God is that we are taken into the triune singing. Perhaps we may say we are allowed to double the parts. And here too we must insist on concreteness. That the proclamation and prayer of the church regularly bursts into beauty, indeed seems to…

February 6, 2018

Mill at an Impasse

John Gray ( Liberalisms ) argues that the “argument from ignorance” is at the heart of certain liberal theorizing, that it cannot hold up to scrutiny. Human knowledge is limited, and that puts constraints on political certainty. Besides, it is argued that human knowledge advances best when freedom is maximized.…

February 5, 2018
Economics

Un-Tragic Commons?

In his Out of the Wreckage , George Monbiot cites the famous 1968 article of Garrett Hardin on the "Tragedy of the Commons." In Monbiot's summary, Hardin argued that "common property will always be destroyed, because the gain that individuals make by over-exploiting it will outweigh the loss they suffer…

February 2, 2018
Work

God the Laborer

Heiner Ruschaupt writes: “In Greek society labor was viewed as an inescapable fate imposed by the gods. To be like the gods meant to live free from labor. In the world of the ancient Orient, labor was viewed as a burden, as slave labor for the gods, who therefore were…

February 2, 2018

Love Song

Markus Rathey ( Bach's Major Vocal Works ) argues that Bach's Christmas Oratorio is a love song. Several threads of argument support this conclusion. In composing the Oratorio , Bach recycled music from earlier compositions, including the quasi-operatic Lasst uns sorgen , which renders a myth about Hercules in musical…

February 2, 2018

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