Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In Genesis One, God told Adam and Eve to "be fruitful and multiply, and fill the earth, and subdue it; and rule over the fish of the sea and over the birds of the heavens, and over every living thing that moves on the earth" (Gen. 1:28). In Christian worldview…
"And I also way to you that you are Peter, and upon this rock I will build My church; and the gates of Hades shall not overpower it" (Matthew 16:18). Matthew 16:13ff. has historically been one of the most oft-cited passages of Scripture. Throughout the Middle Ages, it was used…
One of the important themes of the synoptic gospels is Jesus’ rejection of Israel and the transfer of God’s favor to the New Israel, the Church. A clear statement of this theme is found in the parable of the vineyard owner in Matthew 21:33-46. Jesus explained the meaning of the…
11. There is a type of person [a generation] who curses his father, And does not bless his mother. 12. There is a type who is pure in his own eyes, Yet not washed from his filthiness [manure]. 13. There is a type — oh how lofty are his eyes!…
Under the Levitical law, whole-burnt offerings from the herd and flock had to be male. No such specification is made with respect to birds (cf. Lev. 5:7-10). Why did the Lord demand that only males be offered as whole-burnt offerings? The easy answer is that the whole-burnt offering typified Christ,…
Matthew 2:13-23 has a tripartite structure, reporting briefly three events of the early years of Jesus’ life. Matthew ends his narrative of each event with a "fulfillment formula." Jesus’ flight to Egypt and His Exodus back into Israel was a fulfillment of Hosea’s words, "Out of Egypt I call my…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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