Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
To begin with the source of this narrative: Since no human being was present to observe these events, we must assume that this narrative was revealed directly by God to a human author. There are three ways this might have happened. First, we might read, "God said to Abraham (or…
The Empire Strikes Back is a movie most of us have seen more than once. It is generally regarded as the best of the three Star Wars films, which is probably due to the fact that unlike the other two, The Empire Strikes Back made use of the services of…
Now that we have examined three unacceptable approaches to the events recorded in Genesis 1, it is only fair for me to set out what does seem to be recorded there. To begin with the source of this narrative: Since no human being was present to observe these events, we…
Two books on the "Bible Code" have appeared this year. The first, a current bestseller, is Michael Drosnin’s The Bible Code (Drosnin, 1997). The other is Cracking the Bible Code (William Morrow, 1997), by Jeffrey Satinover, known to Christians for his outstanding 1996 book Homosexuality and the Politics of Truth…
Part 1: Introduction The collapse of the Western tradition in the United States, seen in the hostility to Christianity in government and education, and the elimination of "traditional" or "canon" learning from our institutions of middle and higher learning, provides a crisis and an opportunity for serious believers at the…
A Brief Defense of John Murray’s “the Free Offer of the Gospel,” & A Question About the Extent of the Atonement John Murray (1898-1975) is probably the last of the great American theologians; he belonged in the same set as that which contains such eminent Presbyterians as Charles Hodge and…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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