Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
C. S. Lewis tackled what is perhaps the most difficult and oft-heard objection to the Christian God in his classic, The Problem of Pain. 1 “If God were good,” Lewis restates the problem, “He would wish to make His creatures perfectly happy, and if God were almighty, He would be…
There is nothing incongruous about assuming that Jesus lamented over His people on three separate occasions and that on two of those occasions, He expressed Himself in almost identical language. Two lamentations are recorded in the Gospel of Luke and are clearly marked as distinct. They are also expressed in…
In the Anglican Church in North America, the question of women’s ordination to the priesthood continues to be discussed with each diocese left to decide its own practice. A recurring point of debate is how we are to understand the priest’s representative role in the liturgy. Emily McGowin, in a…
The Theopolis Institute recently added two new members to its Board of Directors, Josh Rollins and Sarah Moore. Josh has recently served as Senior Vice President of Corporate Development for MeTEOR Education, and was previously Chief Financial Officer at MeTEOR. He brings a wealth of finance experience, and will take…
Since moving to Englewood, Colorado, I have been blessed to be involved in the nuts-and-bolts practice of Church unity. The pastors here talk about the One Church in Englewood, and mean it. They love each other, pray fervently for each other, and long for the unity they enjoy to spread…
One day, the author Samuel Clemens cut himself shaving. He was an inveterate foul-mouth and on this occasion recited the entirety of his iniquitous vocabulary. When he was finished, his wife, hoping to shock him, repeated every word he said. Clemens responded, "You have the words, dear, but you don't…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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