Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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Gracia’s own suggestion is that we can make sense of the determinateness and indeterminateness of meaning by distinguishing between “essential” and “accidental” meanings: “although texts may have a well-delimited core of meaning (an essential meaning), they may have other meanings that are the result of contingent conditions, such as changes…
In the entry on meaning in the Dictionary for Theological Interpretation of the Bible (Baker), Jorge Gracia responds to the view that textual meaning has no limits with this: It is true that “texts are understood by different persons, or even by the same person at different times, to mean…
Joel Garver writes, in response to several posts from Raymond Tallis’s Not Saussure : “Most post-structuralist authors I’ve read aren’t dealing with things such as cups or trees or rocks, but rather things such as rationality, madness, criminality, virtue, etc. Foucault, for instance, seems to take bodies as ontologically basic,…
Fisch yet again: After reviewing the influence of the Old Testament, especially the Psalms, on prose writing in the seventeenth century, he adds: “it is worth bearing in mind that this is not only a matter of the seventeenth century. It is found earlier in the antiphonal plain-song of the…
Fisch again: Hebraic prose is different from the grand style of the sixteenth century, and different too from the pared-down plain style shared by many Puritans and all Baconians. It is a rhetoric, not an anti-rhetoric, but it is a rhetoric purified by Puritanism, Senecanism, and scientism. It is biblical…
In his 1964 book, Jerusalem and Albion: The Hebraic Factor in Seventeenth-Century Literature , Harold Fisch argues that Blake provides a more insightful and broader account of the seventeenth century’s “dissociation of sensibility” than Eliot, who coined the phrase. For Blake, the great crisis of England was the dissociation of…
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