Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
When God created Adam, He gave him both a vision and a responsibility. The big vision was the Dominion Mandate. The more specific calling was to cultivate and guard the Garden. God also told Adam about the gold of Havilah, which was good and beautiful (that is how the Hebrew…
After the death of Jan Hus (1369–1415), his successors, the Hussites, began to develop his thoughts on the theology and practice of the Church, particularly on= the question of the lay chalice. This time, however, it was not a question of whether this should be permitted at all—after all, this…
Imagine a friend of yours got involved in a commune, one of the really crunchy ones that does their own farming and such along with poetry nights and music and art. They’re pretty good at all this, actually. They’re using some really interesting permaculture practices at the communal farm, the…
Genesis 22, the story of Abraham’s near-sacrifice of Isaac, is one of the more well-known typologically dissected passages in the Bible. But just for the sake of dotting “i”s, here is a quick rundown: The promised son’s appearing was awaited a very long time (Genesis 12:4; 15:2–3; 16:16; 17:17; 21:1–5;…
A Narrative Sermon on Luke 22:24-46 As Luke walked through the rain toward the corner house he was apprehensive. That surprised him. He knew all along that this was the climax of the process—that he would have to present his work to these men before it could be copied and…
In 2004, an article by Slavoj Žižek appeared in Psychoanalytic Review entitled, ‘What Can Psychoanalysis Tell Us About Cyberspace?’ One of the answers that Žižek offers is that cyberspace creates an environment within which the consumer gets to play in a world where there is no God. In his use…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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