Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the first part of this essay, I argued that the story of the covenant is what unifies and grounds the laws in the book of Deuteronomy. In the third section of this essay, as part of my argument that Deuteronomy 14:1-21 forms a distinct pericope, I claimed that these…
Paul ends 1 Timothy with convicting warnings about the temptations of wealth and the danger of pursuing wealth. Godliness involves contentment and gratitude for the basics – food and clothing (1 Timothy 6:8). To reinforce the point, Paul reminds Timothy that we came into the world without anything, which is…
Like Marx himself, the Marxist sociologist Henri Lefebvre was a firm believer in the dictum that “the criticism of religion is the premise of all criticism,” though he dissented from Marx’s prior claim that the criticism of religion is essentially complete. He includes a vicious, sarcastic, Marxist diatribe against the…
This week, Trinity House fellows James Jordan, Jeff Meyers, Rich Bledsoe, and Peter Leithart will be lecturing in Niceville, Florida, at the Biblical Horizons Summer Conference. Fore more information, check the Biblical Horizons web site.
Fire seems to be a motif in Isaiah 6. The chapter opens “in the year that king Uzziah died,” and we know that Uzziah died a leper because he tried to burn incense in the temple against the law of God. And in this context, in the year king Uzziah…
According to the medieval theory of the "Quadriga" or the "fourfold sense" of Scripture, each passage of Scripture has four dimensions of meaning. Protestants generally cast a suspicious eye on this "method" of reading. That's a mistake. It's a handy guide to the questions we should always ask as we…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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