Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The initial chapters of Joshua demonstrate that Joshua is a new Moses, completing the task that Moses began. Moses is named ten times in the first chapter; though dead, he still dominates the scene. The book begins with the announcement of Moses’ death (1:1); Yahweh promises to fulfill what He…
The way in which you should defend and prove the Christian Faith and the way in which you debunk alternative belief systems is not the same way that you came to know that Christianity is true and that all alternatives are false. This is important because confusing the two ways…
If we want to learn the best way to proclaim and defend the Gospel, we can do no better than to go to the Bible for guidance. Indeed, not only do we find examples for how to present God’s Word, but we also find examples of problems we will face.…
As Christians we all want to see nonchristians convert to faith in Christ by the grace of God. Even more, we probably want to be instrumental in such a conversion–for that would be a special blessing. But let’s be honest: we all hope that such an opportunity will be a…
Day 3 The third day completes the initial structuring work and the initial filling work. First, God separates land and sea, putting the sea below the land. This reproduces the configuration that has just been set up in heaven: land over sea. The earth is being modelled after heaven. There…
In this essay, I wish to present some facts not familiar to many Christians, and draw some possible inferences. My purpose is to help us all become more familiar with the Psalter as God has set it out in its final and canonical form. To begin with, let us consider…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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