Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
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Notes on Comedy of Errors from Marjorie Garber and A.D. Nuttall . 1) Garber points out that the play begins with a legal threat, a death sentence hanging over Egeon of Syracuse because of his visit to Ephesus. This is the crux of the problem in many of the comedies,…
In a long footnote to an article on Rahner’s theology of divinization (p. 277, fn 43), Francis Caponi quotes Rahner saying “If the ordination [to a supernatural end] cannot be detached from the nature, the fulfillment of the ordination, from God’s point of view precisely, is exacted . . .…
The Song of Song depicts a Bridegroom who is passionate toward his bride. Does that Bridegroom portray Yahweh in His love for Israel? Drawing on Jewish tradition, Nicholas of Lyra interpreted the Song as Israel’s Song concerning Yahweh. [1] If that is accurate, then we may have grounds for concluding…
The Song of Songs was among the most popular books for commentary in the Latin middle ages. Despite important variations in style and conclusions among these commentaries, the commentary tradition was largely allegorical. The Song of Songs was viewed as an allegory of the mutual love of Christ and His…
Proverbs 31:10-12 describe the strong woman’s worth and value to her husband in general terms, but the section from verses 13-22 (the “dalet” through the “mem” sections) provides a detailed account of her dealings. The activities described in these ten verses are like a Decalogue of Wisdom, the Decalogue of…
Proverbs begins with the king instructing his son the prince to choose wisely between the women who vie for his attention. His father warns him about Lady Folly and urges him to seek out Lady Wisdom. In the final chapter, we find that the prince has chosen well: He has…
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