Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In our first essay in this series ( part 1 ), we saw that Proverbs 30 opens with a puzzle, a cryptic sentence that challenges the reader to search out a matter in order to gain understanding. "It is the glory of God to conceal a matter, but the glory…
The story of Hezekiah’s illness and recovery is familiar to every child who has attended Sunday School. Informed that he would die, faithful King Hezekiah pleaded in tears for a longer life. God heard his prayers and saw his tears, and promised fifteen more years. As a sign that He…
1. The Blessed Hope "Looking for the blessed hope and the appearing of the glory of our great God and Savior, Christ Jesus." Titus 2:13 I was recently asked how I as a postmillennialist would preach on "The Blessed Hope." This is often a sticky question, because postmillennialists believe that…
1. Jeroboam and Ahab After Solomon died, the people came to his son, King Rehoboam, and asked for tax relief. Rehoboam refused to give it, and indeed told the people that he was going to tax them even more severely than his father had. At that point, with the blessing…
One aspect of truth is unity. It was Truth Incarnate who prayed for the unity of His people in John 17, which certainly makes unity a priority for them as well. In one sense, we know by faith that the Church is always invisibly unified in Christ, but there is…
Mr. Paul Miller of Vancouver writes that he is not persuaded by my remarks on Luke 4 on " The Son of Joseph ." He calls attention to Mark 6:1-6, where Jesus came "to His own part of the country," taught in the synagogue, and astonished many. The people said,…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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