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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Revelation

Benediction

After the identification of the recipients of his letter at the beginning of Revelation, John gives a benediction that resembles the benedictions of the Pauline letters. He pronounces grace/favor and peace, grace and favor that lead to peace, grace that leads to fullness and harmony that is the biblical definition…

by Peter LeithartOctober 2, 2013
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Symbolism

Hand to Hand

Throughout the latter half of 1-2 Samuel, Saul and David are locked in hand-to-hand combat. It seems an unequal contest. All the heavy artillery is on Saul's side. To understand the full scope of the conflict, we need to back up to the beginning of the book. Prior to Saul's…

by Peter LeithartSeptember 30, 2013
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Theopolis News

Borderland

Last week, I lectured at Ostrog Academy in Ostrog, Ukraine, and at a pastors' conference in Kyiv. The latter was co-sponsored by Trinity House and the Alliance of Reformed Churches in Ukraine. I offer my impressions of Ukraine this morning at Firstthings.com .

by Peter LeithartSeptember 27, 2013
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Media

Pascal and the iPod

Why do I bristle when I see someone with white wires hanging from his ears, flipping through what must be a million songs downloaded onto his iPod? No doubt, it’s the threat of the new. I've only recently begun carrying a cell phone, and now I hear tell of compact…

by Peter LeithartSeptember 25, 2013
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Isaiah

Where God Lives

Judah is in terrible shape (Isaiah 57). Yahweh told Israel to worship Him only at the temple, but the people worship on every hill and under every green and leafy tree. He commanded them to worship Him alone, but they are devoted to many gods. Worshipers set up their beds…

by Peter LeithartSeptember 23, 2013
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Hermeneutics

Everything Concerning Himself, (Part 2)

Like any great writer, the Lord foreshadows late happenings in early happenings. Like many greater writers, the Lord ends where he begins, returning to a glorified Edenic city-sanctuary at the end of his cosmic story. The Lord writes with history, real people and events, not merely with words. But His…

by Peter LeithartSeptember 18, 2013

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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