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Creation

Maker of Heaven and Earth, (Part 4)

In my previous two posts, I looked at aspects of Psalms 93, 95, 96 and 98 that declare Yahweh, the divine King, to be the world’s own Creator. In my next post, I plan to argue that the creation theology of the sub-section constituted by Psalms 93-100 contributes to the…

by Stephen LongApril 23, 2015
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Otherness

Sexual Difference, Liberal and Christian

Ethika Politika has published a fascinating interview within which the French Catholic philosopher Fabrice Hadjadj discusses his recent work on the subject of sexuality. While there are many points where our lines of reasoning as Protestants will sharply diverge from Hadjadj’s, there is also much that is deeply perceptive in…

by Alastair RobertsApril 21, 2015
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Literature

Macbeth and the Fall of Adam

For anyone in Shakespeare’s audience who knew the real story of Macbeth, his play must have been surprising. Shakespeare changed so many important details of the historical Macbeth’s life that had Raphael Holinshed, the main author of the most popular history of the British Isles in Shakespeare’s day — Holinshed…

by Ralph Allan SmithApril 16, 2015
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Creation

Maker of Heaven and Earth, (Part 3)

I started looking at a sequence of psalms on divine Kingship (Psalms 93-100) in my last post, part of a series looking at the Old Testament’s witness to Yahweh’s exercise of absolute mastery over his cosmos. I am not trying to “prove” a doctrine of creation ex nihilo directly from…

by Stephen LongApril 14, 2015
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Anxiety

(Un)Holy Fear

Most of the time I believe that dread is wise, anxiety righteous, fear a holy thing. It sounds ridiculous, but bear with me. There are days when fear seems to be not only a rational response to my circumstances, but a moral duty. After all, being a grown-up means responsibility.…

by Leta SundetApril 11, 2015
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Psalms

Psalm 36 Commentary

Get the Psalm 36 Translation here Psalm 36 begins with several translation problems. First, the first word in the actual psalm, as it is found in the English text, is the word "oracle." This word also begins the second verse in the medieval Massoretic Hebrew text, which is our basic…

by James B. JordanApril 10, 2015

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Shepherd of Israel

1 Chronicles 11–12 form a unit, framed by references to David’s coronation ceremony at Hebron: A. Gathering at Hebron, conquest of Jerusalem, 11:1–10 B. David’s followers while a fugitive, 11:11–47 B'. David’s host at Ziklag, 12:1–22 A’. Coronation festival at Hebron, 12:23–40 11:1-10 is itself framed by references to “all…

October 25, 2016
Reformational Catholicism

Reformational Catholicism, A Wish-List

I n a 2014 piece published in First Things , I offered a “wish list” for Protestant churches, a checklist for a future catholic Protestantism. The wish list doesn't cover everything. It doesn't mention those things that Protestants, especially Evangelicals, already do, often exceedingly well, things like missions and evangelism…

October 24, 2016

Lust Made Law

D ante is moving through the circle of the lustful (Comedy, Canto 5) and sees a host of classical lovers. Among them is Semiramis, less famous than Dido or Cleopatra, but an exceedingly important illustration of how lust misshapes language and law. Rodney Payton explains ( A Modern Reader’s Guide…

October 21, 2016

Incontinence, Malice, Bestiality

E xplaining the moral structure of hell in Canto 11 of Dante’s Comedy , Virgil lays out three general categories of sin: incontinence, malice, and mad bestiality (lines 83-4). That’s not quite what we expect, or what most commentators see. It seems more like incontinence, violence, and fraud. Incontinent sins…

October 21, 2016

Infernal Baptism

R odney Payton ( Modern Reader’s Guide to Dante’s Inferno , 88–89) observes that “Dante’s vocabulary is rich in words denoting water,” including “the Italian words for water, river, little river, bog, marsh, stream, pond, slough, fount, and waves, at lest. In many cases the nouns are modified by adjectives…

October 21, 2016
Shakespeare

Antidote to Sadness

A ntonio of Venice is inexplicable sad. So is Portia of Belmont, her “little body . . . aweary of this great world” ( Merchant of Venice 2.1). Antonio and Portia have all that they could want. They aren’t anxious about money; neither is pining for love. Why so sad?…

October 21, 2016

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