Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Figure: Literary structure of the Garden narrative The Garden narrative describes God forming the adam , resting him in his presence, then provisioning for his appetites of food, vocation, and mate. It continues to describe a snake, the introduction of death, and humanity's expulsion from the garden. The pages of…
I’ve spent the last few years studying the theology of St. Irenaeus (d. circ. 200ad). In particular, I’ve been gripped by the way that Irenaeus consistently resisted the anti-body emphasis that emerged in later Christian theology. His eschatology is remarkably focused on the resurrection of the body, and the renewal…
Details of Jesus in Exodus 1:22-2:25 Although there are a great many Christ-types in the Old Testament, it is hard to overplay the obviousness of some that seem to necessarily rise to the top before others. One of these is Isaac, with his near sacrifice by his own father after…
What can we say about Cain's wicked sanctuary-city of Enoch? First that it was built with a brother's blood as its cornerstone. The Church is also built such, for Jesus was the younger brother of the whole Adamic race, slain by that company of older brothers because they hated Him.…
In Genesis 2:9 the ground brought forth trees good for food, delightful to view, and in two cases, life-giving or rule-bestowing. Adam, made of the ground (2:7), would by implication bring forth new trees, and thus trees and plants are among the symbols for human beings throughout the Bible. The…
One of the must fundamental teachings of the Bible and of the Christian religion is that man does not have life in himself. Man must get life from outside of himself, in order to maintain his life. The way this is done is through eating and drinking. Apart from life,…
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1 Chronicles 11–12 form a unit, framed by references to David’s coronation ceremony at Hebron: A. Gathering at Hebron, conquest of Jerusalem, 11:1–10 B. David’s followers while a fugitive, 11:11–47 B'. David’s host at Ziklag, 12:1–22 A’. Coronation festival at Hebron, 12:23–40 11:1-10 is itself framed by references to “all…
I n a 2014 piece published in First Things , I offered a “wish list” for Protestant churches, a checklist for a future catholic Protestantism. The wish list doesn't cover everything. It doesn't mention those things that Protestants, especially Evangelicals, already do, often exceedingly well, things like missions and evangelism…
D ante is moving through the circle of the lustful (Comedy, Canto 5) and sees a host of classical lovers. Among them is Semiramis, less famous than Dido or Cleopatra, but an exceedingly important illustration of how lust misshapes language and law. Rodney Payton explains ( A Modern Reader’s Guide…
E xplaining the moral structure of hell in Canto 11 of Dante’s Comedy , Virgil lays out three general categories of sin: incontinence, malice, and mad bestiality (lines 83-4). That’s not quite what we expect, or what most commentators see. It seems more like incontinence, violence, and fraud. Incontinent sins…
R odney Payton ( Modern Reader’s Guide to Dante’s Inferno , 88–89) observes that “Dante’s vocabulary is rich in words denoting water,” including “the Italian words for water, river, little river, bog, marsh, stream, pond, slough, fount, and waves, at lest. In many cases the nouns are modified by adjectives…
A ntonio of Venice is inexplicable sad. So is Portia of Belmont, her “little body . . . aweary of this great world” ( Merchant of Venice 2.1). Antonio and Portia have all that they could want. They aren’t anxious about money; neither is pining for love. Why so sad?…
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