Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Stories, frankly all human stories are practically always about one thing aren’t they? Death. The inevitability of death. . . . “There is no such thing as a natural death. Nothing that happens to man is ever natural, since his presence calls the whole world into question. All men must…
Matthew is organized around 5 discourses, which trace out the history of Jesus as a recapitulation of the history of God and Israel in the Old Testament. Jesus first speaks as a new Moses, instructing His disciples on a mountain about a righteousness that surpasses the righteousness of the scribes…
The fall of the Sethites in Genesis 6 is the third fall of mankind, or the third degree of Adam’s original fall. Adam sinned in a Garden against his Father by stealing something he was supposed to wait to obtain. (“Every tree shall be food for you” Genesis 1:29.) Cain…
The recent fantasy film Noah and a slightly related blog comment by my friend Douglas Wilson have stirred up again the question of whether the “sons of God” in Genesis 6 who married the “daughters of men” were fallen angels or the priestly line of Seth. Doug argues for angels,…
The prophecy of Jude concerns apostasy. An illustration of apostasy and its consequences is found in verse 6, which the New American Standard Bible translates this way: "And angels who did not keep their own domain, but abandoned their proper abode, He has kept in eternal bonds under darkness for…
At His death, Jesus is surrounded by a Roman centurion and his cohort of Gentile solders. Matthew doesn't say that any disciples are there. But women are, and so is Joseph of Arimathea, identified as a “disciple” but, as John tells us, a “secret disciple for fear of the Jews,”…
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According to Michael Nerlich ( Ideology of Adventure ), “all figures of the Greek and Latin novels of adventure are ‘involuntary’ adventurers.” Mikhail Bakhtin too ( Dialogic Imagination ) emphasizes that in earlier adventures “an individual can be nothing other than completely passive, completely unchanging” and function as “merely the…
Winder McConnell ( Nibelungenleid , 98-99) sketches the changing uses of the epic in the mid-20 th century: “During the Weimar Republic, the themes and motifs of the Nibelungenlied had been employed by authors of antirepublican persuasion to express optimism for Germany’s future, but poets and dramatists sympathetic to the…
In an essay in A Companion to Gottfried of Strassburg's Tristan , Ulrich Muller argues that “In Tristan und Isolde Wagner radically transformed the meaning and message of Gottfried’s romance, just as he had in Parsifal. As cast by Gottfried (and in all medieval versions), the lovers and their love…
Andreas Capellanus literally wrote the book on the Art of Courtly Love , but the concluding Book 3 suggests that the book was a cautionary tale throughout. Capellanus closes the treatise with an exhortation to Walter, the man to whom the book is addressed to abstain from the desires of…
Even today, when historians have abandoned the idea, many regard the Middle Ages as a time dark and ignorant, the huddled masses in shadows until the burst of light that came with the Renaissance and then the Enlightenment. For centuries, it is often thought, medieval thinkers knew little of the…
Allegorization was one of the techniques medieval used, adapted from ancient writers, to incorporate pagan writing in a biblical framework. As Ernst Curtius ( European Literature and the Latin Middle Ages ) writes, “the Middle Ages subjected profane writers to allegorical interpretation exactly as it did the Bible, and .…
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