Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
For years I have read little posts by fresh new Papal converts that assert that Luther, Zwingli, Calvin, etc., believed in the perpetual virginity of Mary. So did Turretin. Setting aside the question of whether these men believed that this notion was important or not — and Calvin, at least,…
The previous discussion led to several points that I’d like to take up in like to take up in more detail. For the sake of discussion, I’ll number them for ease of consideration. 1. Typological “evidences” for Mary as perpetual virgin, queen of heaven, etc. etc. I assert here that…
BMEV, or “Blessed Mary Ever-Virgin,” should not be an issue for any Protestant today, but clamor from various quarters means that we need once again to “get real” with the Biblical data here. Herewith is a reworking of a recent essay on the subject originally published in Biblical Horizons. Early…
When I hear from time to time of some young evangelical Presbyterian going into Roman Catholicism, I ask myself, “Why bother? You’re already in a church pretty much like what the Reformers rejected.” In the Medieval church, the congregation did little but watch while the priest and choir did everything.…
The “New Perspective” sheds light on what the New Testament means by the “mystery” of God. The mystery theme is quite pervasive in the apostolic writings, and shows up across genre lines, in the gospels, the epistles, and Revelation. One could even make a solid case that the revelation of…
THIS should be a link to the Sanctus I put together for use at the Biblical Horizons Conferences. Some churches have been using it also.
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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