Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
That there is something wrong with the world is obvious. It does not take much time or brilliance to notice it. Once we get the feeling that we could imagine a better world, we are tempted to fix it or, if we cannot, to escape it. For both the world-fixers…
“Our Father in heaven,” what is man that we should be called your sons and daughters, beloved children of God Almighty, Maker of heaven and earth, Yahweh of Hosts, the Ancient of Days. You are not a father preoccupied with work or engrossed in your smartphone; you are a present…
The Son of God took on human flesh and entered into the sin and suffering of our world. His life and teaching and suffering from His conception to His suffering on the cross teaches us a lot about how the good news enters into the world. Recently, I was teaching…
There is an unspoken rule about typology that permeates Evangelical thinking. It goes something like this: “If the New Testament authors don’t use an Old Testament character as a type, we don’t either.” There is a soundness in this reasoning, at least in a preliminary sense. There is no better…
In The world of Silence, Max Picard writes, “There does not seem to be any space left where there could possibly have been anything but noise. We take it for granted much as we take the air itself for granted. Everything begins and ends with noise.” Is it fair to…
God is Not There God is not in the book of Esther. Do a word search and you will get 0 results. Also try Lord, Yahweh, Prayer, Temple, or Sacrifice. Even names with God’s name in them, like Elijah, Jeremiah, or Daniel are missing. The fool says in his heart,…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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