Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
This is the second of a three-part study of Genesis 1. 1:3-5 – Light In God’s final actions of the first day, that He addresses the problem of darkness. In evaluating God’s giving of light, we should evaluate the order of events of His creative activity on the first day.…
“In the beginning God created…” With these words, God begins His self-revelation. We first catch God in the act of creation, and in so doing are ourselves caught up into the dramatic exposition of the Divine Life. To witness the Theo-Drama of the Creator is not an entry into the…
In order for Exodus 23:19b (“you shall not boil a kid in his mother’s milk”) to be interpreted properly it must be situated in its biblical context, which necessitates a proper understanding of Exodus 24:1-11. It is the primary contention of this paper that it is only through the lens…
Trinity House President Peter Leithart will deliver a paper on "Constantine the Pious" this week at an international symposium sponsored by the Universitatea Babes-Bolyai in Cluj-Napoca , Romania.
Through the prophet Isaiah, Yahweh threatens to send Assyria to Judah and Israel. He will swing Assyria as an ax to lop down the proud trees of Judah (10:33-34). He is going to lop off the branches of the trees, and cut down the tall trees. Trees are people, and…
Peter Leithart, President of Trinity House, will deliver a lecture a a conference on "Constantine: Religious Faith and Imperial Policy," which will be held October 4-5 at Richard Stockton College of New Jersey. The conference is co-sponsored by the Interdisciplinary Center of Hellenic Studies at Richard Stockton and the Orthodox…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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