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Ephesians

Music and Drunkenness, Part 2

For Part 1, click HERE . How did Paul’s earliest commentators view his juxtaposition of music and drunkenness, and did they connect it to the ancient Greek ideas of musical ethos described in Part I? Origen, one of the earliest commentators on Paul, writes about Ephesians 5:18-19: One, however, who…

by John AhernMay 17, 2018
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Ephesians

Music and Drunkenness, Part 1

Perhaps it is because I am a musician that I have always found Ephesians 5:18-19 so arbitrary. But isn’t it a little odd to contrast music and drunkenness? Perhaps it is not obvious that that is what Paul is doing; I know, for myself, that it is remarkably easy to…

by John AhernMay 15, 2018
infant-baptism
Baptism

Unequal Holiness

In 1 Corinthians 7:12-16 Paul deals with how the Corinthian Christians are supposed to be relating to unbelieving spouses. He essentially tells them, “Look, if your unbelieving spouse is willing to stay with you as a faithful Christian, don’t initiate a divorce. If he/she wants to leave you, let him/her…

by Bill SmithMay 10, 2018
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Violence

The Sword of Adam: Preterism vs. Pacifism, (Part 2)

For Part 1, click HERE . Those who focus on the supposed “pacifism” of Jesus and condemn the violence of God’s judgments throughout the Old Testament overlook the ministry of sacrificial bloodshed as an alternative to human bloodshed. The sword bearing of the sacrificial system was introduced to avoid the…

by Mike BullMay 8, 2018
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Violence

The Sword of Adam: Preterism vs. Pacifism, Part 1

How should a Christian respond to the objection that the Bible, like the Koran, is a book of violence and bloodshed? Numerous answers have been offered by well-meaning exegetes, but none of them gets to the heart of the matter: God desires to place a sword in the hands of…

by Mike BullMay 3, 2018
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Theopolis News

Alastair Roberts Appointed As Adjunct Senior Fellow

Beginning this summer, Dr. Alastair Roberts will join the Theopolis Institute as an adjunct Senior Fellow, the Institute has announced. Dr. Roberts will be a regular on the Theopolis podcast, teach intensive courses and in the Fellows Program, and help develop new programs and outlets. Roberts earned his PhD from…

by TheopolisMay 2, 2018

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Apolitical Liberalism

Judd Owen’s Religion and the Demise of Liberal Rationalism calls on liberals to pay attention to the foundational issues raised by liberalism’s antifoundational critics. Owen recognizes that liberalism does not propose a “neutral” theory of politics. While political regimes do not take sides in religious disputes, and thus exercise a…

February 6, 2018

Symphonic Love

Robert Jenson writes: “our enjoyment of God is that we are taken into the triune singing. Perhaps we may say we are allowed to double the parts. And here too we must insist on concreteness. That the proclamation and prayer of the church regularly bursts into beauty, indeed seems to…

February 6, 2018

Mill at an Impasse

John Gray ( Liberalisms ) argues that the “argument from ignorance” is at the heart of certain liberal theorizing, that it cannot hold up to scrutiny. Human knowledge is limited, and that puts constraints on political certainty. Besides, it is argued that human knowledge advances best when freedom is maximized.…

February 5, 2018
Economics

Un-Tragic Commons?

In his Out of the Wreckage , George Monbiot cites the famous 1968 article of Garrett Hardin on the "Tragedy of the Commons." In Monbiot's summary, Hardin argued that "common property will always be destroyed, because the gain that individuals make by over-exploiting it will outweigh the loss they suffer…

February 2, 2018
Work

God the Laborer

Heiner Ruschaupt writes: “In Greek society labor was viewed as an inescapable fate imposed by the gods. To be like the gods meant to live free from labor. In the world of the ancient Orient, labor was viewed as a burden, as slave labor for the gods, who therefore were…

February 2, 2018

Love Song

Markus Rathey ( Bach's Major Vocal Works ) argues that Bach's Christmas Oratorio is a love song. Several threads of argument support this conclusion. In composing the Oratorio , Bach recycled music from earlier compositions, including the quasi-operatic Lasst uns sorgen , which renders a myth about Hercules in musical…

February 2, 2018

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