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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Biblical Horizons

Twelve Fundamental Avenues of Revelation, Part 2

Theophanic revelation is historically progressive, or eschatological, in character. First of all, in Genesis 1:2, the Spirit appeared inside the creation, sent by the Father. After the creation of man, the Spirit worked and works with humanity to bring us to maturity, from Daughter to Bride to fruitful Mother. He…

by James B. JordanFebruary 28, 1997
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Biblical Studies

The Calf of the Purification Offering

On the eighth day of the rite of "filling the hand," Aaron began his service at the altar. His first offering was a "calf" (Heb. `egel ), which served as a purification offering for himself and (apparently) his household (Leviticus 9:2, 8). This is striking for a couple of reasons.…

by Peter LeithartFebruary 27, 1997
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Exodus

A Blossom of Yahweh’s Garden

One of the distinctive items of the high priest’s clothing was the "golden plate" inscribed with the words "Holy to Yahweh" (Exodus 28:36-38). The word translated as "plate" is tsits , which literally means "flower." The verbal and noun forms are both used in Numbers 17:8, which describes Aaron’s rod…

by Peter LeithartFebruary 27, 1997
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Biblical Horizons

Squaring Off and Crossing Up

The square, rectangle, and cross shapes appear all over the sanctuaries God reveals in the Bible: Tabernacle, Solomon’s Temple, Ezekiel’s Temple, New Jerusalem. One thing that can be said right away about these designs, and the occasional perfect circle (the lavers), is that they do not occur in nature. They…

by James B. JordanJanuary 28, 1997
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Biblical Studies

In the Fish: The Church as Tomb

"For just as Jonah was three days and three nights in the belly of the sea-monster, so will the Son of Man be three days and three nights in the heart of the earth" (Matthew 12:40). Some reflections on Jonah’s Big Fish have led to the following essay. Let me…

by James B. JordanJanuary 28, 1997
Hermeneutics

God Most High

Citing Melchizedek in Genesis 14:18-20, James Jordan has written that "the name of God in use among the nations was God Most High’" (Hebrew, `el `elyon ; in Through New Eyes , p. 176). In addition to Melchizedek, one could cite the example of Balaam, who invokes the Lord both…

by Peter LeithartJanuary 27, 1997

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House of Wisdom

1 Chronicles 22 records a lengthy speech from David to his son Solomon. The very setup suggests an analogy with the book of Proverbs, in which Solomon gives instructions to his son the prince. For the Chronicler, Solomon learned to teach wisdom by receiving it from David. That formal hint…

December 1, 2016

Sources of Apocalyptic

I n his 1892 Lectures on the Apocalypse (29–30), William Milligan argues that “the symbolism of the Revelation is wholly and exclusively Jewish.” He illustrates: Even “the crown of life” in chap. i. 10 is not the wreath of the victor in the Grecian games, but the Hebrew crown of…

December 1, 2016

Limits of Pen and Tongue

S hakespeare's Sonnet 103 laments the limits of language to capture the thing it describes. “Look in your glass,” the poet says, and you will see a face that overwhelms “my blunt invention quite.” The reality dulls the poet’s lines and disgraces him. And it would be a sin to…

November 30, 2016

Church With Soul of America?

The paragraphs below are taken, with slight changes, from a column I wrote at Firstthings.com in July 2015. The questions are even more pressing since Trump's election. I mmigration has always roiled under the surface of American politics. It’s the price of being America, a land subdued by outcasts and…

November 30, 2016

A House by and for Nations

A fter David sinfully takes a census of Israel (1 Chronicles 21), the threshing site where he builds the altar that arrests the plague becomes the temple site (1 Chronicles 22:1). David begins preparations for the temple. First, he gathers the “strangers” (Heb. ger ), non-Israelite residents of the land…

November 29, 2016

Love Well What You Leave

S hakespeare's Sonnet 73 embodies the excessiveness of poetry. It’s possible to summarize the poem in a brief statement: “I’m getting old. I'll die. Love me while you can.” Why so belabor the point? One effect of belaboring through fourteen lines of iambic pentameter is to link aging with cosmic…

November 29, 2016

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