Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
1 Chronicles 9:1 seems to bring the genealogies of 1 Chronicles to an end. The Chronicler has recorded the genealogy of the human race from Adam, focusing on the descendants of Abraham through Jacob. Summing it all up, he says, “So all Israel was enrolled by genealogies; and behold, they…
The “personalist” understanding of the Trinity, articulated most influentially in the work of John Zizioulas, has fallen on hard times. Recent scholars have attacked Zizioulas’s idea that Cappadocian Trinitarianism represented an ontological revolution, hammering on the distinction between divine and human personhood. Michel Barnes’s conclusion is the most drastic of…
Biblical Theology is often defined as the historical unfolding of God’s revelation, or of God’s revelation and of the history of his covenantal redemption and transformation of humanity and the world. In practice, Biblical Theology is usually broader than this, and also includes the study of literary structure and of…
We are made to be happy. Created to enter into the eternal joy of God, our whole being inclines to that end, but the fallen world has put forth barriers and by our own sin we bar ourselves from that endless delight, and death blinds us to that reality. Yet…
At the end of Revelation, John sees the heavenly city descending to earth. The city shines with the brilliance of God's glory, which lightens the nations, so that kings bring their glory to the city. This is not a vision of the final new heaven and new earth. It's a…
“No one has ever seen God,” writes John (John 1:18). If this is the case, then how can we speak about God? Some people say we actually cannot. Or at least we cannot speak about God positively, i.e. who He is. We can only say who or what God is…
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In Rune 40 of the Finnish epic, Kalevala , the hero, Wainamoinen, is sailing with his friends to Pohjola, where he intends to recover the Sampo, a talisman of good luck and extraordinary, mysterious power. No one today quite knows what the Sampo was, but many of the episodes of…
Chaucer, like Shakespeare after him, set some of his poems in ancient Greece. The “Knight's Tale” takes place in Athens, ruled by the same “Duke” Theseus who rules Athens in Midsummer Nights Dream . Troilus and Cresyde is a Trojan love tragedy. Neither of these works, however, shows much deep…
According to C. S. Lewis ( English Literature in the Sixteenth Century , 27-28), English humanists were most interested in style, but the style was mostly Latin: “Greek was given abundance of ‘mouth honor,’ but only the minor Greek authors (Plutarch, Heliodrous, Chilles Tatius, the Anthology) were really relished. Greek…
Emily, the lady-love of Chaucer's “Knight's Tale,” the first of the Canterbury Tales, appears in a garden, and the poet describes her as if where were part of the garden. She is Eve in Eden. But this is no Edenic world. The men who see her are locked out of…
Tragic stories are fall stories. Whether through moral wrong or through some inadvertent hamartia , the tragic hero falls from a high place. Others are engulfed in the tragedy to one extent or another, but not everyone. Those who watch can experience the catharsis of pity and fear by watching…
C S. Lewis describes the formation of medieval allegorism in his classic Allegory of Love . He begins by distinguishing between an allegorical and a sacramental or symbolic turn of mind. Allegory begins, he says, with “an immaterial fact, such as the passions which you actually experience” and finds ways…
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