Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
What happens at the Table of the Lord? If Christ is really present, then how is this so? The witness of the Church throughout history has been that Christ is present in the Eucharist through the operation of the Holy Spirit, and in the practice of the Church, prayers at…
In the power of the Spirit, the gospel forms a society in which there is neither Jew nor Greek, slave nor free, a society that is characterized by unity, long-suffering, patience; love. The gospel forms a culture whose participants do not steal but labor and give, who are not angry…
At the 1997 Biblical Horizons Summer Conference, the Rev. Jeffrey Meyers presented a series of remarkable lectures on the gospel of Mark. Among his many insightful comments, he suggested that the second gospel continues where the first gospel ends; Matthew ends with Jesus saying "Go" (Matthew 28:19), and Mark’s shows…
On October 25 at Avondale Brewery , Theopolis will be co-sponsoring the 2nd Annual Birmingham Life and Culture Series. This year's event will feature author Joseph Bottum. Joseph is known for his writings on literary criticism, religion, and his short stories. Essayist and reviewer Mary Eberstadt has said that "his…
One of the curiosities of the New Testament revelation is its focus on Galilee. The region of Galilee was given to Asher, Zebulun, Naphtali, and Issachar, and the events of Judges 4-8 occurred there, so it had some importance in Israelite history. But when the tribe of Ephraim led the…
In a recent post , Ian Paul discusses the practice of allegorical interpretation, reflecting in particular upon a conversation he had with someone concerning the reading of the story of Rahab. Paul’s interlocutor argued strongly for an allegorical reading of the Rahab story, writing: “Joshua is a type of Christ…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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