Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Since Theopolis began in 2013, we have been aiming for the fall of 2016 as the launch date for our year-long Fellows Program. As it turned out, we had only a handful of applicants, most withdrew for one reason or another (none for lack of interest), and we are left…
Charles Spurgeon once quipped, “If you give a man the gospel, wrap it in a sandwich. And if you give a man a sandwich, wrap it in the gospel.” With those words, the great Baptist preacher captured the essence of the church’s mission in the world. The church’s mission is…
This is a continuation of a previous essay by Lindsey Tollefson . 6. We own everything . Sometimes the biggest thing that is keeping us discontent is because we are not happy with what we have been given in material possessions. Especially in the United States it is so easy…
Proverbs 3:1-12 form a section marked off by the reference to the father-son relationship at the beginning and end (vv. 1, 12). Within this section, Solomon gives a series of six commands to his son (vv. 1, 3, 5, 7, 9, 11), the first and the last (vv. 1, 11)…
A letter from Theopolis President Peter Leithart as our fiscal year draws to an end . Dear Friend of Theopolis: It was one of those moments when you realize that other people understand you better than you understand yourself. I was having lunch with a pastor friend at a BJ’s…
Learning to be content and completely satisfied in Christ is certainly a life-long process and a lesson that we are always learning, and always being tested on. As I am learning and wrestling against discontent, I am always looking for practical and tangible ways to set my course towards joy…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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