Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Misunderstanding “Galatianism” has caused several problems in the Reformed church. Because circumcision is at issue in the Galatian epistle, some have fallen into thinking that ritual per se, rather than anything uniquely Mosaic or Jewish, is the object of Paul’s critique. Likewise, his polemic against “works of the law” is…
Many texts in the NT become more perspicuous if we keep in mind the possibility — and indeed ubiquity — of Gentile God-fearers in the Old Covenant. After the special covenant with Israel is set up, Gentiles are not altogether excluded from the hope of salvation. Israel’s special status in…
I was once trying to get a sermon out of Ephesians 1.12-14 and it seemed obvious that I should look for two parallel statements both ending with the phrase, “to the praise of his glory.” Paul here begins talking about two groups of people (“you” and “we”), and he later…
WHY A DENOMINATION WITH SOUTHERN PRESBYTERIAN ROOTS SHOULD CAREFULLY CONSIDER THE “NEW PERSPECTIVE ON PAUL” In my denomination, the PCA, we are continually haunted by the sins of our racist Southern past. It has become an annual rite at General Assembly for the issue to be addressed one way or…
Recent debates over whether or not, “justification is central” to Paul’s theology have reminded me of a sermon I once heard by a Presbyterian seminary student. This African American student challenged his audience on the sin of racism and the ways it might manifest itself among us. Like any good…
In Charles Hodge’s 1853 article, “Idea of the Church,” his stated aim is to analyze the idea of the Church proposed in the Apostles’ Creed, in which, “the Church is declared to be “the Communion of the Saints.” He writes: The conception of the Church as the communion of saints…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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